A visit to France is a fully saturated Technicolor experience. Cityscapes and countryside similarly pulse with the color and light that once inspired the Impressionist and Post-Impressionist masters. Caught in Paris’s congested nighttime traffic, it was evident why the infamous Avenue des Champs-Élysées is sometimes called the street of diamonds and rubies. Juxtaposed against a black sky, the lanes of gleaming white headlights and scarlet break lights transformed the road into a conduit of glittering jewels.

When I look back on my time in France, I remember each experience as a color on the rainbow spectrum. I passed through the red-light district of Pigalle on my way to the Nouvelle Eve cabaret and vaudeville show in Montmartre. The neon glow emanating from the Moulin Rouge set the stage for a night of garish entertainment. From my seat directly in front of the Nouvelle Eve stage, I had an unimpeded view of bizarre dance routines, where the performers were clothed and then nude for seemingly no reason at all. Midway through the second act, a girl from my group propped her elbows up on the stage, rested her heavy head in her palms, and shouted drunken platitudes. I watched whirling, kicking legs come within inches of her face, as she continued to yell, “Awesome! Yeah!”

Evidently thirsty after dutifully cheering the dancers on, she turned back to the table to grab the champagne bottle nestled in the ice bucket. In her drunken haze, she forgot about the bottle next to her elbow, and accidentally knocked it to the floor. The bottle was half empty anyway, since she’d spilled most of its contents across the table during the previous act. Shocked by the calamitous loss of champagne, she then dropped the full bottle, as well. At first, I was annoyed that I’d paid for spilled alcohol, but I suppose the champagne glass half full perspective is that I paid for one show and inadvertently got two.

In general, France was a series of shifting expectations. When I first saw the Eiffel Tower, the sun was in the process of setting, and I remember being disappointed that we’d arrived so late. The thing is, it doesn’t even matter what time of day you arrive. The tower is gorgeous in any type of lighting, and in fact, it might be most alluring during those twilight hours when the sun is slowly sinking below the horizon. I watched the sky fade from blue to pale orange, and I thought about all the people around me coming from far-flung corners of the planet to see this one landmark. Later that night, I ate escargot for the first and probably last time in my life. Snails, as it turns out, are salty, with a gummy texture. Eating escargot is like chewing on a solidified chunk of seawater. Not bad, per se, but not something I’m clamoring to do again soon.

French roads, however, are fantastic. As I mentioned above, the Champs-Élysées is beautiful, and the roundabout circling the Arc de Triomphe should be classified as an amusement park ride, but it’s the highways I truly remember. Afraid I’d miss out on seeing something amazing, I rarely slept on the bus. We were driving along one particular stretch of road, and I was so focused on what was happening outside my window that I didn’t notice the field ahead. In the middle of nowhere, the grass lining the road abruptly transitioned from green to yellow. Without warning, we had passed through some invisible portal to an alien planet. There were tall, lithe sunflowers as far as the eye could see. Millions of them crowded around each other with their brown, cyclopic eyes staring blankly back at me. Though ordinary moments ago, the field sprung to life with these anthropomorphic flowers, these gangly, rooted strangers. How can anything be so bright, yet so melancholic? It was a surreal experience, made especially dreamlike by the presence of all the sleeping people around me. I wanted to shake the girl beside me, and tell her to look, but I stayed quiet as I marveled at the unexpected visitors.

In 1889, Vincent van Gogh wrote a letter to Paul Gauguin, stating, “For if Jeannin can claim the peony, and Quost the hollyhock, then surely I, above all others, can lay claim to the sunflower.” Van Gogh relentlessly attempted to lure Gauguin to Arles, where he thought an artist colony would flourish, but it never worked out the way he wanted. In many ways, Van Gogh is so much like the sunflowers he revered, bright and melancholic. With those sunflowers in mind, I swept through Arles, looking for that famed yellow awning outside Le Café Van Gogh. I think I was hoping to find a connection to the artist, since I missed out on seeing his works at the Musée d’Orsay.

I took a few architecture classes in college, but French architecture baffled me. Every building we studied was a chateau! I could recall the minutest details about unimportant English structures, but every French chateau looked the same to me. So, when they said we were staying in a chateau in the Beaujolais Wine Region, I had mixed emotions. On the one hand, I was like, “Yay, fancy!” On the other hand, it was like finally meeting a nemesis face to face. I was amazed when we pulled up in front of this stately, white manor on the outskirts of Lyon, surrounded by picturesque green rolling hills. I set out on a hike one morning, intent on combing through the parcels of land carved out by row upon row of grapevines. After a while, I realized everything looked the same, and I felt my pulse start to quicken with panic. Completely alone and lost, I stumbled into a ghost town with brightly painted shutters. Seeing no one, I turned and left. Around the next corner, I found a lonely horse standing in a field. He stared at me expectantly, and I felt the crazy, heat stricken side of my brain whinny, “Feed me!” So, of course, I told the horse to wait a moment, and I ran off to fetch him some grapes. I was still lost, but at least I’d made a horsey friend. Eventually, I spotted the resident chateau dog taking a leisurely stroll through the fields, and I followed him back to base camp.

Nice was, without a doubt, my favorite city in France. The electric blue water along the Côte d’Azur more than made up for the pebble beaches. Being from New Jersey, I know a thing or two about going down the shore, and there’s something categorically wrong about a beach without sand. Due to the sharp incline of the rocks, you have to awkwardly climb out of the ocean like a primordial organism, venturing onto land for the first time. The pebbles can be a bit uncomfortable to lay or walk on, so there are cordoned off segments of the beach with umbrellas and chaise lounges, presumably only for the elite? I was amazed by the amount of bronzed, leathery skin I saw, while I tripped my way across the pebbles.

My French adventure started the moment our ferry from Dover, England docked in Calais. On the drive to Paris, we navigated flash flood conditions, so it was only fitting that on the way out of France and into Italy, the sky opened up once more. I experience true awe and terror as I stared out across the violent purple-grey skies. We counted at least four waterspouts along the coast. It was incredible, like a movie scene come to life, as we watched those vortexes raging from sky to sea.

 

I don’t have as many pictures of France as I’d like because my travel converter died, but somehow that’s ok. I have every intention of returning, and when I do, I’ll take pictures then. To be perfectly honest, I did not expect to love France as much as I did. From the Tuileries outside the Louvre Museum, to the grounds beyond the Palace of Versailles, French gardens are verdant to the point of being magical. Even the food is colorful, from the pastel macarons to the ever-present ruby red tomatoes. Seriously, I’ve never eaten so many tomatoes in my life. In three words: France is beautiful.